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SWAGGER @ META HOUSE – BEST UNDERGROUND MUSIC & ART IN PHNOM PENH

The 25th of January 2014, come party at Meta House, Phnom Penh for our label night ‘SWAGGER’. We run 2 areas, the BEATS LAB starring The Phatt Controller, Andy Freak, Chris Bradbury – playing the best of Beats, Breaks, and Bass. The SOUND LAB starring ebauche and Warren Daly – playing a selection of braindance.
Live painting by Dina Chhan and Joshi – see the finest artists perform live on our chill-out balcony.
VISUALS and drinks promotions abound… $1 Beer, $1 Shots
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SWAGGER - BEATS AND BASS, META HOUSE, PHNOM PENH, CAMBODIA

Warren DalyAdded by: Warren Daly | 9th January 2014 1 Comment

New Breakbeat Mix by The Phatt Controller

The Phatt Controller delivers a high energy breakbeat mix to kick off 2014 in style. Alex is one of our resident DJs at SWAGGER (META House, Phnom Penh, Cambodia) and he’ll be playing again at our 1st year birthday party this Saturday the 25th of January 2014 . So enjoy the tunes and the tight mixing. Happy New Year.

BoomBox 2 by The Phatt Controller on Mixcloud

Warren DalyAdded by: Warren Daly | 8th January 2014 Leave a comment!

Review: WASH – Triptych

Phnom Penh Underground recently reviewed ‘Triptych’ by WASH, here’s what they said….

It always begins with silence, a blank page. Then follows a spark. Four minds combined, and the silence was slowly filled. Two further minds expanded the space into colour. What were they building, and how? They didn’t know.  And yet by doing they made.”

WASH - Triptych - cover

Triptych is the new album by WASH – a collaboration between Warren Daly (Invisible Agent), Alex Leonard (Ebauche) and Hal Fx (Audio  Mainline), guided by the spoken word poetry of Scott Bywater.

Its now available for download from Bandcamp in 3 formats – a free lower quality mp3, high quality FLAC / mp3 (name your price) or high quality download with a limited edition booklet featuring paintings & lyrics ($10)

Billing itself as “a hybrid soundscape of rhythm, synthesis, live instrumentation and location recordings“, its fairly unique in being recorded and produced in Phnom Penh and hopefully heralds the beginning of a true, underground electronic movement in the city and the whole of Cambodia.

Triptych consists of 3 parts, arranged thematically.

Part onecaptures the slow-moving heat of Phnom Penh“.

Gently jangling guitars a la Vini Reilly are juxtaposed with ambient noise (fans? clinking glasses? the whirl of cyclo wheels?) to conjure up an aural soundscape of Phnom Penh.

On top of this, Scott Bywater’s gentle, wry yet passionate words float over the top  in a way that reminded me of Harold Budd’s By the Dawn’s Early Light or even, perversely, of Jim Morrison on his posthumous An American Prayer

Underneath the evocations of  the Phnom Penh twilight world of watching the river turn incandescent from a balcony, modulating synths and textures reach an understated epiphany.

Part two propulsively celebrates the art of travel“.

I found part 2 more intense with treated guitars shimmering and snaking thru the sequenced rhythms to reach a crescendo of percussive synchronicity. I was reminded of Pete Namlook‘s Travelling without Moving – however Triptych has a unique style and atmosphere of it’s own.

Scott Bywater‘s words never overpower the music but are beautifully mixed and balanced like a half heard conversation from the balcony on the floor below

night still / air heavy with heat / domestic muttering / television sounds drift through gaps / floating on pockets of distant passing laughter and chirps from / children resisting sleep / the splutter of a moto fades into the night fabric / someone’s telephone rings / and tap tap tapping comes the soup

Part three drifts through an examination of the art of living“.

In part 3, the sofltly chiming guitars combines beautifully again with the lyrical poetry to evoke the spirit of works like Ry Cooder‘s soundtrack for Wim WendersParis, Texas. Again, a gentle melancholy infuses the mood – combined with a sense of purpose and direction that is crystallised in the final words:

getting sea legs, getting shipshape, and steering for the horizon / with faith in the wind and the water / traveling lighter every day

dina 1

In keeping with label Invisible Agent’s ethos of mixing art and music, a beautifully presented booklet (limited edition of 150) has been issued to accompany the album.

snoch1

Here you’ll find text of the spoken word pieces alongside paintings by Khmer artist Chhan Dina alongside Adrianna Snochowska that were created as as a direct effect of listening to early rehearsals of the piece

In conclusion, Triptych offers a perfect evocation of  Phnom Penh and our sometimes transitory existence within the “Charming City”.  I hope to see more projects like this in the coming months as the creative scene in Cambodia grows and coalesces…

Originally posted on http://phnom-penh-underground.com/wash-triptych-review/

Warren DalyAdded by: Warren Daly | 22nd November 2013 Leave a comment!

Limited edition colour booklet now available – WASH Triptych

The WASH collaboration is a blending of spoken poetry and music in a way you’ve never heard before. A voice walks through a series of evocative and ever-evolving soundscapes, a mixture of the organic with the electronic: loops and beats, found sounds, liquid guitar lines, warm synths and keys.

Buy the limited edition WASH Triptych colour booklet now (includes album download)

For more information click here


Warren DalyAdded by: Warren Daly | 21st November 2013 Leave a comment!

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